Monday, March 29, 2010

You are living a reality I left years ago It quite nearly killed me.

Well I wasn't going to post this, because it's unfinished and without an ending, but I realized that I might as well, because that's what a blog is for, right? Im always telling flower to post things no matter what, so so will I. I wish I could work more on it, but I'm going away without a computer for the next week or so, and this is my last day to post it. Maybe when I come back I'll write some more, but for now, this is it, deal with the lack of ending. I worked hard on this.
Anyway, here goes. . .




She wrote things on her hands, cryptic notes, abbreviations, acronyms. They were little reminders to herself, to give a friend back her book, to pick up ten dollars owed from someone else. She was an impatient sort, and she never waited long enough for the ink to fully fade before writing something else on her palm, so it looked almost as if she had criss-crossing semi-transparent veins of words upon her hands. She said this suited her, because if the outside of her was entangled in words, it was fitting that the inside should be as well. She carried a pen everywhere, fumbling for it with her inky fingers, digging through her pockets when something came to her mind. Often, that thought would land on her palm, and when she waved, people would see her mind on her hand. Sometimes though, it was a longer thought, and she would rummage around in her backpack until she found a little notebook, crisp clean sheets of paper, and hurriedly write down sentences. She wore long tiered skirts that furled around her ankles and converse sneakers, and her skin was dark, very dark. She was so dark that at night all you could see were her eyes and the half moons of her fingernails, twisting and blinking. She had long nappy curls of hair only just darker than her ebony complexion, that were always slipping out of her loose bun and hanging down about her nose. She didn't care about her appearance. She was more focused on the outside, or within the outside--the unseen but not unthought. She was thin, but not waif-ish, and she was calm and careful. She answered questions slowly, with a long pause for thought before she opened her mouth. When she smiled, only one side of her lips turned up. It was a thoughtful sort of smile. She was a thoughtful sort of girl.

He, on the other hand, was not the sort to look before he leapt, or to think before he spoke. He was easily excited, and moved like a train running. First, he would raise his eyebrows, blink his eyes, lean forwards. Then, just as a train begins to gather steam, so did he, becoming animated as he stood up, his mouth working, his body moving, as words began to flow and his hands gestured slightly. He had man-boy hands. They were becoming like a mature man's, with protruding knuckles and pronounced veins, but they had this innate softness about them, sturdily delicate--that edge of vulnerability that comes with development. They were the perfect hands for skipping stones, she thought. She would daydream about his hands holding a dappled gray stone at the seaside, about how his fingers would grip the edges and then loosely hurl them out across the waves. She would sigh and tuck a curl of her hair behind her ear, and write this image on something, the underside of a leaf perhaps, which she would tuck amongst the pages of her notebook. He also had this little hemp necklace, weighted with a stone in the back and with a thick metal loop hanging from the front, pocked and dented, which lived around his neck always. The pockets of all his pants were ripped, as were the sleeves of his hoodies, which he would absentmindedly tear and bite at when he was daydreaming. Often, when he was bored, he would reach into those ripped pockets with his man-boy hands, and pull out a ragged crossword puzzle which he had taken from the newspaper. He would sit with the paper, his teeth nibbling and the edge of his sleeve, his chair tipped back, oblivious. He would sit there and do the crossword, slowly filling in the little white squares without registering whatever was going on around him. He would be oblivious to whichever class he was ignoring, or whichever teacher was droning on, and he would just read the clues to that crossword puzzle, mouthing the words with his lips. She found this habit charming, the whole crossword deal. He liked to read, and he was rather smart, but he was none too keen to do schoolwork, and people didn't really know why or how he passed any of his classes, since he listened none during class nor completed any of the homework. Still, he always passed, and did not badly either. He read book after book on his own, and had amassed a huge vocabulary. People knew he was smart, but it was an odd sort of smart. He was not school smart, he was mind smart. She understood this.

She did well in school as well. People often called her smart, top of the class, genius, even. They didn't realize how much this angered and hurt her. She didn't want to be known as smart, she wasn't just smart, she was Tulya. And she didn't spend her time alone learning the lessons before they were taught, or whatever people thought she did, instead of hanging out with everyone. She wasn't socially inept, or too shy or ashamed to be part of their big clique, their band of high-school kids. She just chose to flow in a different direction. She would go outside, to the park, while they would be watching a movie. Or she would go to the theater when they were at the park. And all the time, she would be writing, words leaking from her ears. That's just how she was, how she chose to be. He understood this.

He was well known among the school, though. He was friends with the collection of teenagers roving the halls, the friends or groupies banded together in a one for all, all for one situation. You could often see him walking with a few of his buddies, his neck tilted back a little, his face smiling, his hair tousled up. He had olivey tan skin, and soft brown hair. Someone would call his name, "Bay, Bay," and he would lift his chin up in reply, in challenge, in question. People liked him. He was likable. So he hung around everyone and they hung around him. But if he ever saw Tulya or the hem of her skirt whisk around a corner, he would smile doggedly, almost apologetically, and he would break off from this group and lope down the hallway to catch her.

The two of them were wrapped tightly around each other, bound together by a ribbon, a ribbon of words. A ribbon of words she had written, of words he had read, a ribbon of words they had said to each other without speaking. The words said Bay and Tulya and love and brown and lines and train and happiness and a shared mug of hot mulled cider, and they said tears and ocean and frustration and bare bellies and sheets of paper and sheets of linen and they said the infinity sign. They were strong words, and she and he walked strongly together, arm linked with arm.






Title Quote: Crosby Stills & Nash, You Don't Have to Cry

Tuesday, March 23, 2010

Shootin' rockets to the moon Kids growin' up too soon

Ode to an Ice Cream

Cone. Cardboard brown, lit with sugar to a honeyed hue. Brittle, crissed and crossed, filled with diamonds of dried batter. Ice cream cone batter. Rolled out flat with a pin on a butcher's block, heated in a pan, wrapped gently with the tip tight, the lip opened wide, ready to swallow gulps of ice cream.

Cow udder. Gently squeezed, smooth milk cream flows out, splashes into a tin bucket. Sugar, frothy milk, vanilla bean, churn churn churned. A bucket holds sweet cream ice cream, glinting frosty ice crystals. 

Silver spoon, glinting dully, curve, turn, concave, convex. A reflection only just missed, steel cities, sky scrapers, machines, machines; machines. A clean incision is made. Pure, smoothly separating ice cream from its brother, its mother, creating a crater on the surface of freshly fallen snow, an untreaded planet. 

And each comes together, plop bang smush: round melting scoop on top of ridged unbroken cone. A small pink tongue will lick the ice cream perfectly spherical, its natural roughness smooth, and small white teeth will nibble at the sugar cone. The child will pull off the paper wrapping and pursue the last ice cream trickle tickle until all that is left is the space where the cone tips almost meet, and sticky fingers licked another time, in the hope of one last bit of flavor.


Title Quote: The Tempatations, Ball of Confusion

Tuesday, March 16, 2010

And president of The United States of Love

Chaos

Pantomimes of nonsuch
whirl round
trodden down 
anarchy
intangible joy
gathers at the 
heart, its
bent wax
ropes free
mangled swirling 
solemn snowy
silks.

Inflections of the mind
slide into
spheres containers oceans
pitiless veins
leach 
shining golden
acrobats warriors ideas
darkened mirrors
blast
lethal grenades
empty empty
hollow, hollow.

Woven dangle tied-up
walls 
scrub
wrapped purple 
precision incisions.

tears minutes shocks of grief.

hours

of grief.


Title Quote: Hair Soundtrack, Colored Spade

Tuesday, March 9, 2010

And be a goddess in the planet wars And save the living things.

“Who wants to see the world?” They said.
“Me." I said. "I do."
“No, not you,” they said. “You can't. You're too young.”
“But I want to,” I said. “I want to see the world, I want to save the world, I want to be the world!”
“Too bad,” they said. “Come back later, come back when you're older.”
“What if there is no later?” I said. “What if this is the only time we've got, what if I need to do this now? What if?” I said.
They did not answer, they only turned away from me and called at others to join them.
“Wait! Wait, don't you believe in me?” I said. “Don't you think I can do this, don't you think I can have dirt under my fingernails, holes in my shoes, aches in my back? Don't you think I can see the world?”
“No.” They said. “Sorry.” They said. “Go away.” They said.
They turned away and began to ask other people again:
“Who wants to see the world?”
 Well let me tell you this, let me tell you: I can and will see the world, I can and will save the world, and guess what, I can and will be the world! 
What do you have to say to that?


Title Quote: Neil Young, Sun Green

Thursday, March 4, 2010

You can't watercolor a fire cracker

She watched her reflection in the streams of light filtering through the half closed blinds on her windows. The bed she was lying on felt unstable, as if rocking on the sea, about to pitch over, yet the sheets felt as crushing, cold and lifeless as stone. She imagined, idly, that a poisonous viper had been let loose from the zoo that very day and had slithered in to reach her the same way the light had, and now, it was resting on her, curled tightly around her legs, a tight skirt of emerald scales. That would explain why she could not move them. But then she chuckled at herself, chiding gently, in the place of a nanny, that she should be so silly as to think it was a viper causing that. For many months she had lain here, nauseous and weak, sipping tea and crumbling dry toast beneath her lips tasting nothing but cardboard. She thought she saw the sunlight flicker, just out of the tail of her eye. Her mind returned to the viper, its tail fondling her toes, its little tongue darting out, eyes glowing in her own. It must be getting pretty hungry for a meal by now, she thought. But here she stopped, for she knew she had crawled to deep inside her mind and laughed too loudly into its tunnels, the laughs turning to echoing screams vibrating through her skull. She repressed the trembles that started from her eyebrows, and proceeded to ripple and contort her whole face with fear. Taking a deep breath, she looked for her reflection in the light again, but all she saw was darkness.

Title Quote: Beth Orton, Heart of Soul